Tom's Projects Experience

Tom Clark has been a theatrical sound designer for 24 years. He is a founding member of ACME Sound Partners, winners of the 2003 Drama Desk Award for Outstanding Sound Design (La Bohéme) and the 2001 Entertainment Design Magazine EDDY Award for excellence in theatrical sound design.

In addition to his work with ACME, Tom Clark acts as a principal consultant for Artec.

ACME has provided sound designs for Dirty Rotten Scoundrels, Monty Python's Spamalot, Dracula- The Musical, Fiddler on the Roof, Never Gonna Dance, The Boy From Oz, 2004 Tony Award-Winning Best Musical Avenue Q, Gypsy, La Boheme, Flower Drum Song, Elaine Stritch: At Liberty, Bells are Ringing, A Class Act, Jane Eyre and The Full Monty on Broadway. ACME provides the sound design for the Disney Theatricals Revue On The Record, and all of the New York Shakespeare Festival productions in Central Park since 2001.

Prior to forming ACME Sound Partners in 2000, Mr. Clark provided Broadway sound designs for The Search for Signs of Intelligent Life in the Universe, the Tony award-winning revival of Irving Berlin's Annie Get Your Gun; Side Show; and August Wilson's 7 Guitars, Two Trains Running, and The Piano Lesson; and Neil Simon's Proposals, Laughter on the 23rd Floor, and The Goodbye Girl.

Elsewhere, Mr. Clark has prepared sound designs for the Radio City Music Hall 1999 and 2000 Christmas Spectacular; and the New York Philharmonic, San Francisco Symphony, and Chicago Symphony Orchestra's concert performances of Stephen Sondheim's Sweeney Todd, and Chicago Symphony Orchestra productions of A Little Night Music, Passion, and Sunday in the Park with George. In addition, he has provided designs for more than 50 Off-Broadway, touring, dance, opera, and regional theatre productions.

Mr. Clark taught sound system engineering and theatrical sound design at the Yale School of Drama for 3 years, and was the resident sound designer for Yale Repertory Theatre.

Mr. Clark was Director of Audio+Video Production and Recording Services for The Santa Fe Opera from 1988 until 1997, and served as the audio/visual consultant for the recent renovation of the Santa Fe Opera theatre.

Mr. Clark holds a Bachelor of Fine Arts degree in Theatrical Technical Design and Production from Ithaca College. He has been a member of the Audio Engineering Society (AES) since 1984, belongs to the International Alliance of Theatrical Stage Employees (IATSE) Local 1.

	Mr. Clark's projects experience involves the following:
		Adrienne Arsht Center for the Performing Arts of Miami-Dade County, Florida, USA      Knight Concert Hall      Ziff Ballet Opera House
		Chan Centre for the Performing Arts, University of British Columbia, Vancouver, Canada      Chan Shun Concert Hall      Telus Theatre
		Frederick P. Rose Hall, New York, New York, USA      The Allen Room      Rose Theater
		The Great Hall, World Union for Progressive Judaism Cultural Centre, Jerusalem
		Kimmel Center for the Performing Arts, Philadelphia, Pennsylvania, USA      Perelman Theater      Verizon Hall
		New Jersey Performing Arts Center, Newark, New Jersey, USA      Lucent Technologies Center for Arts Education      Prudential Hall      Victoria Theater
		Recording Control Room Study for the New York Philharmonic, New York, USA
		Sang Nam Hall, LG Arts Center, Seoul, Korea
		Wharton Center for the Performing Arts, East Lansing, Michigan
		Segerstrom Concert Hall, Segerstrom Center for the Arts, Costa Mesa, California, USA
		Winspear Centre for Music, Edmonton, Alberta, Canada